This is our interview with Mário Domingos, a Lisbon-born 3D Motion Designer whose artistic evolution weaves through traditional art to the dynamic realm of digital creation.
Mário’s pathway is adorned with experiences at renowned studios, such as BUCK, revealing a vibrant artistic odyssey shaped by constant exploration and evolution.
Join us as we unravel the narrative of Mário’s creative identity, where each project is a testament to the seamless fusion of artistry and technology.
Background and Inspiration
Can you tell us a bit about your journey into digital art?
My journey into digital art began with a deep-rooted passion for creativity and technology. I was born in Lisbon, and from a young age, I was fascinated by the vivid and immersive world of visual arts. As I grew older, this interest evolved into a keen curiosity about how technology could be used to create art.
In my early days, I studied traditional art forms, but I was captivated when I discovered the vast potential of digital tools. Digital art allowed for an unparalleled level of experimentation and exploration. The endless possibilities of what could be created with tools like Maya and Softimage, which I used then, were exhilarating.
I have worn many hats throughout my career – from a 3D animator to a VFX artist and now a 3D motion designer. Each role has contributed significantly to my expertise and understanding of the digital art world. Working in various 3D animation and VFX areas helped me develop a robust skill set and a unique approach to digital art.
What really propelled my journey was the opportunity to work with some of the biggest names in the industry and talented teams at studios like BUCK. It was not just a learning experience but also a chance to push the boundaries of my creativity.
I focus on my personal artistic work alongside commercial projects, I am continually exploring and pushing the limits of digital art. My journey has been one of constant learning, adapting, and evolving. It’s this dynamic nature of digital art that keeps me motivated and excited about what the future holds.
What inspired you to become a digital artist?
Well, it wasn’t a single moment but a series of experiences that guided me towards this path. I’ve always been fascinated with the intersection of art and technology, and this curiosity naturally led me into the realm of digital art.
In my formative years, I started experimenting with programs like Corel Draw. This was my introduction to the digital art world. Playing around with Corel Draw, I realized how technology could open up new avenues for creative expression. It was a revelation to see how I could manipulate shapes, colors, and textures digitally, which was quite different from the traditional art forms I was familiar with.
What truly inspired me was the boundless potential of digital art to create things that were impossible in the physical world.
As I explored more, I came across more advanced tools and software, each opening a new door to endless possibilities. The transition from simple graphic design software to more complex tools was gradual but steady. With each new tool I learned, from Photoshop to Maya and Softimage, my passion and skills in digital art grew.
What truly inspired me was the boundless potential of digital art to create things that were impossible in the physical world. The ability to bring to life the most imaginative ideas without the constraints of traditional mediums was incredibly exciting. It wasn’t just about the end product, but the process of creating itself became a journey of discovery and innovation.
Over time, my experiences with various software and projects shaped my identity as a digital artist. It’s this blend of artistic creativity and technological innovation that continues to drive and inspire me in my work.
Who are some of your artistic influences and favorite artists (digital or otherwise)?
In my artistic journey, I’ve been influenced by a diverse array of artists spanning different mediums and styles. While I work primarily in digital art, my major influences don’t necessarily come from the 3D digital art scene. Artists like Simon Stålenhag and traditional sculptors like Marvin Lipofsky, along with contemporary artists such as Joana Vasconcelos, have been particularly inspirational to me.
Joana Vasconcelos captures my imagination with her giant textile installations, which she transforms into creature-like forms. The sheer scale and creativity of these pieces, coupled with their tactile quality, resonate deeply with me. It inspires me to bring a similar sense of wonder and innovation to my digital work, where the ordinary can become fantastical.
To be honest, I don’t have big heroes in the 3D digital art scene. My admiration is more for traditional artists and those who step outside the conventional digital art boundaries, particularly in sculpture and other physical mediums. The way these artists manipulate materials to bring their visions to life holds a kind of mystery and mastery that I find incredibly inspiring. This admiration for traditional artistry informs my digital work, as I aim to imbue my digital pieces with a sense of the tangible and the textural, blurring the lines between the physical and the digital realms.
So, while my tools and techniques are rooted in the modern digital world, the spirit and essence of my art draw heavily from the traditional art world, creating a unique blend that defines my artistic voice.
As an artist based in Dublin, are local art scenes, events, or communities particularly inspiring your creations?
While I’m based in Dublin, the local art scene, though charming, is quite small and doesn’t significantly influence my personal creations. Instead, I draw a great deal of inspiration from the art scenes and events in my home country, Portugal, and neighboring Spain.
The vibrancy and richness of cultural events like OFFF in Barcelona profoundly impact my work. These events are not just gatherings; they are melting pots of creativity, innovation, and inspiration. They showcase various talents, from traditional artists to groundbreaking digital creators, offering a glimpse into the endless possibilities of artistic expression.
The dynamic nature of these scenes in Portugal and Spain fuels my creativity with their deep-rooted cultural heritage blended with contemporary artistic movements. They provide a broader spectrum of inspiration, from classical art forms to modern digital innovations. This diverse exposure influences my approach to digital art, encouraging me to explore and integrate a variety of styles and techniques in my work.
Also, I really love connecting with the global community of designers and 3D artists. It’s awesome to see all the different styles and ideas out there. Chatting with them online or at international events always gives me tons of new thoughts and inspiration for my own work.
While Dublin is my home base, the essence and energy of my work are more attuned to the artistic vibrancy found in Portugal and Spain. These places’ rich artistic landscapes and events continue to inspire and shape my artistic journey.
Creative Process
Could you describe your typical creative process from ideation to completion?
My creative process is deeply rooted in experimentation. Unlike traditional approaches, I don’t start with sketches. Instead, I dive straight into Cinema 4D and begin experimenting with ideas as they come. This method allows me to explore and discover creative paths that might not be immediately apparent.
I avoid looking at references, especially when I have the freedom to create without constraints. This approach helps me maintain originality and ensures that my work is a product of pure imagination and experimentation. By not relying on existing references, I can let my creativity lead the way, often leading to unique and unexpected results.
Of course, there are certain guidelines I need to adhere to when working with clients. However, I’ve been fortunate enough to work with clients who seek out my particular style—one that veers away from conventional references or guidelines. They appreciate the distinctive, explorative nature of my work, and this allows me to infuse client projects with the same spirit of creativity and experimentation that characterizes my personal projects.
Throughout the creation process in Cinema 4D, I continually refine and develop my ideas, playing with different elements until the piece feels complete. This could involve tweaking the lighting, textures, or the composition itself. The beauty of this process is in its fluidity; it’s about letting the work evolve organically without preconceived boundaries.
In the end, whether it’s a personal piece or a client project, my aim is always to produce something that stands out for its originality and artistic integrity. It’s about creating art that’s true to my experimental nature and resonates with both the audience and the client.
Do you have any favorite software, tools, or techniques that you rely on in your work?
In my work, I mainly rely on a few key tools. Cinema 4D is my go-to for 3D design and animation because of its versatility and user-friendly interface. For complex simulations and effects, I turn to Houdini, which is fantastic for its procedural capabilities.
Redshift is my choice for rendering. It’s fast and efficient, allowing me to quickly achieve high-quality visuals. For texturing, I use Substance, which gives me great control and realism in my textures.
Overall, my technique involves a lot of experimenting with these tools, mixing their functionalities to see what new visuals I can create. This process keeps my work innovative and unique.
How do you stay motivated and overcome creative blocks?
Overcoming creative blocks is a challenge. I find that the best solution when hitting a creative wall is often to step away from my work. Engaging in activities like taking a walk, getting some fresh air, or doing something entirely different helps clear my mind.
Whether it’s immersing myself in nature, capturing life through my camera in a bustling town, or finding inspiration in a gallery, these moments away from the screen are crucial for reigniting creativity.
Experimentation is a key aspect of my creative process, but taking breaks and giving myself space is equally important. Another crucial practice is consciously disconnecting from the constant stream of information, especially from social media, to prevent overload and maintain focus.
Style and Themes
Many digital artists have a unique style. How would you describe your artistic style and the themes you often explore?
My artistic style is best described as a fusion of abstract experimentation and digital exploration. I don’t restrict myself to a specific style or movement; instead, I let experimentalism be the foundation of my expression. I often explore themes of impossible worlds and the boundaries of digital capabilities, creating art that challenges the conventional and invites viewers to question what’s possible. Spontaneous moods and colors characterize my work, and I am particularly intrigued by the concept of creating tangible experiences in a virtual world, showcasing the limitless potential of digital art as a medium.
Is there a recurring message or story you try to convey through your designs?
In my art, there isn’t a predetermined message or story that I set out to convey. The process is highly experimental, and it’s often not until a piece is completed that I fully understand what it represents. In the final stages of creation, I can step back and interpret the emotions and thoughts that were subconsciously driving the work. Each piece reflects my feelings and experiences at the time of its creation, revealing its meaning to me only after it’s fully realized.
“Style-frame Exploration” Project
Let’s dive into a specific project of yours. Can you share some details of Style-frame Exploration?
The Style-frame Exploration project was a commercial collaboration with BUCK, a well-known studio in the US, for the Apple M1 Keynote event. What made this project particularly exciting for me was the complete creative freedom I had. BUCK provided no constraints or specific references, allowing me to explore various graphic concepts freely.
This kind of open-ended approach is where I find my creative best, especially in the early stages of a project. Working with BUCK, who are artists themselves and deeply understand the creative process, was a seamless and enjoyable experience. This collaboration allowed me to experiment and push the limits of graphic design for a major event like the Apple M1 Keynote.
Can you describe the key elements and techniques used in this project?
In the Style-frame Exploration project, I experimented with colored lights to create an environment that felt almost like a dreamland or an impossible setting. The key was to achieve a unique look, distinct from typical visuals. I used Cinema 4D and Redshift for this project. The techniques involved blurring reflections and incorporating soft glass layers. These elements were meant to represent the ‘magic’ that can be created with Apple products, adding a layer of enchantment and wonder to the overall design.
Challenges and Achievements
Every artist faces challenges. Can you describe a specific artistic challenge you’ve overcome and how you did it?
My biggest challenge was always finishing a personal project. My brain is constantly flooded with ideas and it’s very hard to focus on one till the end. It’s easy for me to get distracted with another project or idea before finishing the previous one. I like to work on a few projects at the same time, that helps me get some distance and don’t get tunel vision. Helps the project breathe. I had to stop the flow of information, so I could focus, I had to declutter. Social media became a problem as I was following too many artists and spent ages looking at their work thinking that I should be doing that and that stopped me from finishing my projects and jump into another.
What’s been one of your artistic journey’s most significant achievements or milestones?
One of my most significant achievements in my artistic journey has been the recognition and success of my personal projects. This accomplishment was further elevated when I was asked to apply my unique artistic style to client projects. The blend of my personal creative vision with commercial work not only validated my artistic direction but also broadened my professional horizons. It’s been incredibly fulfilling to see my individual style resonate with both personal and commercial audiences, marking a pivotal and rewarding milestone in my career.
Advice for Aspiring Artists
What advice do you have for aspiring digital artists just starting their creative journey?
For those starting in digital art, my key advice is to embrace experimentation boldly. It’s essential to explore and make mistakes, as this is how you’ll discover your unique style. Equally important is the commitment to continuous learning; the digital art field is ever-evolving, so staying updated with new techniques and software is vital. However, amidst all the learning and exploring, finding and staying true to your own artistic voice is crucial. While drawing inspiration from others is beneficial, creating art that genuinely reflects who you are will make your work stand out. Remember, each artist’s journey is distinct, so be patient with yours and let your passion be your guide.
How do you balance your artistic pursuits with other aspects of life, like work and family?
Balancing artistic pursuits with other life aspects like work and family is no easy task. It requires a lot of juggling and thoughtful planning. One thing that has helped is that my kids are almost adults now, which gives me a bit more time and space for my art. However, it’s still about finding the right balance and ensuring that neither family time nor work is neglected. I try to be disciplined with my schedule, allotting specific times for my artistic work while ensuring I’m there for my family and fulfilling my professional responsibilities, but that doesn’t always work. This balance is a constant work in progress, and it’s about making adjustments as life evolves.
Future Goals
What are your future artistic goals, or is there a particular project or theme you’d like to explore in the future?
Looking towards the future, I’m excited about a variety of artistic endeavors. While integrating traditional painting techniques with digital art is part of my plan, it’s just one aspect of a broader vision. My main goal is to exhibit my work around the world, bringing it to a wide audience. I’m particularly enthusiastic about creating physical, one-of-a-kind versions of my digital pieces, especially in large formats. I also plan to delve into immersive installations combining projection, audio, and interactive elements. Collaborating with other artists is another key goal, as it will infuse my work with new ideas and perspectives.
Do you have any upcoming exhibitions, collaborations, or projects you’d like to share with your audience?
While my calendar for the year isn’t fully set in stone, and there are some projects I’m not at liberty to discuss yet, I’m thrilled to announce that my piece. DSTRSNS.ch2 will be featured at NFT Paris in 2024. This exhibition is something I’m eagerly anticipating. Additionally, I’m always open to discussing new opportunities and collaborations. So, if anyone is interested in collaborating or wants to chat about potential projects, feel free to reach out. More updates and exciting announcements will be coming as the year unfolds!
Closing
Mário’s journey from Lisbon to the world’s renowned studios illustrates a continuous commitment to pushing artistic boundaries.
Stay connected with Mário Domingos on Behance, Twitter, and Instagram. Explore the dynamic fusion of art and technology in his work. For an immersive experience and a visual feast of his portfolio, visit www.mariosundays.com.
Ana is a Content Manager at Vertex Mode, where she blends storytelling with digital expertise to create engaging content.
